an abstract symbol to each of those elements. Suzuki wanted to see if he could design a computer program that enabled scientists to classify the structure of the whales' songs.
He used the program to analyze structural characteristics of the humpback songs recorded in Hawaii. To measure a song's complexity, Suzuki analyzed the average amount of information conveyed per symbol. He then asked human observers who had no previous knowledge of the structure of the whale songs to classify them in terms of complexity, redundancy, and predictability. The computer-generated model and the human observers agreed that the songs are hierarchical, confirming a theory first proposed by biologists Roger Payne and Scott McVay in 1971.
Suzuki said that information theory also enabled the researchers to determine how much information can be conveyed in a whale song. Despite the "human-like" use of hierarchical syntax to communicate, Suzuki and his colleagues found that whale songs convey less than one bit of information per second. By comparison, humans speaking English generate 10 bits of information for each word spoken. "Although whale song is nothing like human language, I wouldn't be surprised if some marine mammals have the ability to communicate in a complex way," said Suzuki. "Given that the underwater environment is very different from our world, it is not surprising that they would communicate in rather a different way from land mammals."
The structure of the humpback whale song is repetitive and rigid. The whales repeat unique phrases made up of short and long segments to craft a song. There are multiple layers, or scales, of repetition, denoted as periodicities. One scale is made up of six units, while a longer one consists of 180-400 units. The combined periodicities give the song its hierarchical structure.
Suzuki compared his new technique for animal communication research with more traditional models, such as the first order Markov mo
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Source:Howard Hughes Medical Institute
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