Navigation Links
Jackson Pollock, artist and physicist?
Date:6/28/2011

Cambridge, Mass. - June 28, 2011 - At a glance, a painting by Jackson Pollock (1912󈞤) can look deceptively accidental: just a quick flick of color on a canvas.

A quantitative analysis of Pollock's streams, drips, and coils, by Harvard mathematician L. Mahadevan and collaborators at Boston College, reveals, however, that the artist had to be slowhe had to be deliberateto exploit fluid dynamics in the way that he did.

The finding, published in Physics Today, represents a rare collision between mathematics, physics, and art history, providing new insight into the artist's method and techniquesas well as his appreciation for the beauty of natural phenomena.

"Our article is mainly an invitation to think about some aspects of art from a scientific perspective," says Mahadevan, who is the Lola England de Valpine Professor of Applied Mathematics at Harvard's School of Engineering and Applied Sciences (SEAS) and a Professor of Organismic and Evolutionary Biology (OEB) and of Physics.

Crossovers between art and science are nothing new; consider, for example, Leonardo da Vinci's botanical sketches, proportional studies, and flying machines (or, for that matter, the culinary artistry of today's molecular gastronomists).

"My own interest," says Mahadevan, "is in the tension between the mediumthe dynamics of the fluid, and the way it is applied (written, brushed, poured)and the message. While the latter will eventually transcend the former, the medium can be sometimes limiting and sometimes liberating."

Pollock's signature style involved laying a canvas on the floor and pouring paint onto it in continuous, curving streams. Rather than pouring straight from the can, he applied paint from a stick or a trowel, waving his hand back and forth above the canvas and adjusting the height and angle of the trowel to make the stream of paint wider or thinner.

Simultaneously restricted and inspired by the laws of nature, Pollock took on the role of experimentalist, ceding a certain amount of control to physics in order to create new aesthetic effects.

Mahadevan, collaborating with art historian Claude Cernuschi and physicist Andrzej Herczyński, both at nearby Boston College, took an interest in Pollock when his colleagues suggested that the artist may have exploited the same aspects of fluid dynamics that Mahadevan has studied in the past.

Instabilities in a free fluid jet can form in a few different ways: the jet can break into drops, it can splash upon impact with a surface, or it can fold and coil, as when a stream of honey lands on a slice of toast. The artist Robert Motherwell produced drips and splashes by flicking his brush; Pollock's technique, on the other hand, is defined by the way a relatively slow-moving stream of paint falls onto the canvas, producing trails and coils.

In a sense, the authors note, Pollock was learning and using physics, experimenting with coiling fluids quite a bit before the first scientific papers on the subject would appear in the late 1950s and '60s.

Quantitative explanations for what are now termed inertial, gravitational, and viscous coiling regimes are relatively recent findings, elucidated only within the last few decades. Mahadevan himself has studied the coiling of honey, nanofibers, and rope, and the behavior of a dripping faucet, among many other aspects of soft matter physics.

Mahadevan and his coauthors examined the black and red painting Untitled 1948󈞝 and demonstrated mathematically that the only way Pollock could create such tiny looping, meandering oscillations was to hold his brush or trowel high up off the canvas and let out a flow of paint that narrowed and sped up as it fell. To create tiny loops rather than waves, he likely moved his hand slowly, allowing physics to coauthor his art.

(This video (http://www.youtube.com/watch?v=CMYISqxS3K4) from the University of Toronto demonstrates how coiling motions can be predicted and manipulated when the "canvas" is the object in motion.)

The artist, of course, must have discovered the effects he could create through experimentation with various motions and types of paint, and perhaps some intuition and luck. But that, says Mahadevan, is the essence of science:

"We are all students of nature, and so was Pollock. Often, artists and artisans are far ahead, as they push boundaries in ways that are quite similar to, and yet different from, how scientists and engineers do the same."

Pollock's work and physicists' modern understanding of natural phenomena blur the line between art and science.

The authors wonder whether a quantitative understanding of fluid dynamics could inspire a new style of art that takes Pollock's medium a step further. Using a can of paint with a thin slit in one end, they suggest, an artist could paint with a film of pigment rather than a jet, creating new aesthetic effects.

"There are interesting quantitative questions everywhere in art," says Mahadevan. "One that currently fascinates me is inspired by the Chihuly exhibition at the Museum of Fine Arts in Boston, not only because of the beauty of the glass blowing forms, but also because it presents analogies to problems in biology and physics that span scales from the cell (in the context of cell shape) to the whole Earth (in the context of magma and lava flows)."

"Of course, another, much harder, problem," he adds, "is the notion of 'beauty' in art or science, which we all can recognize but find hard to quantify."


'/>"/>

Contact: Caroline Perry
cperry@seas.harvard.edu
617-496-1351
Harvard University
Source:Eurekalert

Related biology news :

1. NCI partners with Jackson Laboratory, UC Davis to speed cancer clinical trials
2. What is a laboratory mouse? Jackson, UNC researchers reveal the details
3. Sale of sports car benefits TGen cancer fund named for Jackson family
4. Jackson Laboratory and Tufts University announce new Ph.D. track in mammalian genetics
5. Global Obesity Summit 2010 in Jackson addresses growing epidemic at ground zero
6. Cancer: Trapping the escape artist
7. Mussels -- material artists with grip
Post Your Comments:
*Name:
*Comment:
*Email:
(Date:6/15/2016)... 2016 Transparency Market Research ... Market by Application Market - Global Industry Analysis Size Share ... the report, the  global gesture recognition market  was ... is estimated to grow at a CAGR of ... Increasing application of gesture recognition technology ...
(Date:6/7/2016)... June 7, 2016  Syngrafii Inc. and San ... relationship that includes integrating Syngrafii,s patented LongPen™ eSignature ... This collaboration will result in greater convenience for ... union, while maintaining existing document workflow and compliance ... ...
(Date:6/2/2016)... YORK , June 2, 2016   The Weather ... is announcing Watson Ads, an industry-first capability in which consumers ... by being able to ask questions via voice or text ... Marketers have long sought ... the consumer, that can be personal, relevant and valuable; and ...
Breaking Biology News(10 mins):
(Date:6/23/2016)... ... June 23, 2016 , ... In a new case report published ... how a patient who developed lymphedema after being treated for breast cancer benefitted from ... the paradigm for dealing with this debilitating, frequent side effect of cancer treatment. ...
(Date:6/23/2016)... 23, 2016  Blueprint Bio, a company dedicated to ... medical community, has closed its Series A funding round, ... "We have received a commitment from Forentis ... need to meet our current goals," stated Matthew ... runway to complete validation on the current projects in ...
(Date:6/23/2016)... , June 23, 2016 On ... session at 4,833.32, down 0.22%; the Dow Jones Industrial Average ... 500 closed at 2,085.45, down 0.17%. Stock-Callers.com has initiated coverage ... INFI ), Nektar Therapeutics (NASDAQ: NKTR ), Aralez ... Inc. (NASDAQ: BIND ). Learn more about these ...
(Date:6/23/2016)... , ... June 23, 2016 , ... ... quality, regulatory and technical consulting, provides a free webinar on Performing ... July 13, 2016 at 12pm CT at no charge. , Incomplete investigations are ...
Breaking Biology Technology: